"Responding to Texts: Provocative Revision"

Although this article, written by Toby Fulwiler, ostensibly focuses on Writing Center tutors, much of his advice seems to target instructors more. He does add a caveat on page 166: "Many professors who assign research projects will have a specific idea of what such reports should look like, and tutors need to be careful to counsel the student in those directions." I like many of his ideas, but I'm not sure we tutors want to take on as much authority as he seems to suggest.

Still, Fulwiler targets some of the areas that inexperienced writers often struggle with, specifically, "over-generalizations, prejudgment, and directional uncertainty." But that's what early drafts are for: to figure out the perimeters of a student's topic and to understand exactly what she wants to write. How does she know until she starts writing?

We've read other articles about writing-as-discovery, and that theme is repeated in Fulwiler's reference to the potato paper. Sometimes early drafts are simply exploration, that pre-writing that Ellen Harcourt likes to emphasize with her students.

However, many of our students convey the attitude of "Just tell me what to fix so I can be done with this assignment." The idea of using writing as a tool for thinking more deeply and imagining more broadly is difficult for some students to wrap their minds around. They're busy and they may have to be here and they may not want to be here. In some cases, they just want to be told what to do so they can do it and leave.

So how do we engage students in their own writing? How do we get them excited about the possibilities? How can we encourage them to recognize the importance of finding their own writer's voice? How did you all get excited about finding your voice? Was there a specific trigger or influential person who encouraged you?

"FAQs about Lab-based classes for WRT 1000/1150 Students"

Thanks to Marian for this clear and comprehensive question-and-answer handout for tutors, and another version for students. There's been a lot of confusion about the responsibilities of both tutors and our WRT 1000/1150 students, and these handouts give all of us a lot more clarity. Hopefully, when our students read their handout, they'll know--from the start--what's expected of them.

These lab-based classes are very unusual, and I believe that's why both students and tutors have struggled. We ask a lot from our student tutors in re to WRT 1000/1150: You're expected to provide some instruction as well as feedback. Please, when you feel uncertain or that you're in over your head, ask me or another, more experienced tutor for help. We're a collaborative bunch.

Those of you who have worked with lab-based students: What have you struggled with? What have you found particularly rewarding? What areas--if any--are still a little confusing? As you're probably aware, tutoring is a sloppy, recursive process, and most of us, to some degree, are tutoring "without a net." But that's what also keeps the job from getting dull or stale.

"Thirty-something" Students: Concernign Transitions in the Writing Center

This article, by Cynthia Haynes-Burton, reflects much of our experience in the Madonna Writing Center. The ages of both our staff and our "customers" range from late teens to the 60s. Also like our students, some of us older staff members have experienced dramatic shifts--expected and unexpected--in our professional lives.

You younger tutors may not have had these experiences, but your parents, neighbors, or family friends may have. And we all face a measure of career uncertainty, no matter how old we are or whether we're a tutor or student writer.

To some degree, we can all empathize with our older students. We've seen how uncertain and fearful many of them are when they first come in. Some of our older students who've lost their jobs have also lost a large portion of their identities and self-confidence along with their income. They may have a greater sense of urgency about earning a living than about developing critical thinking skills.

A few of you younger tutors have expressed that, on occasion, older students seemed a little uncomfortable about working with you. Could you comment on that here? Did you modify your approach to put the student at ease? Do you think older students are more comfortable with older tutors? What are some of the unique challenges you've faced with older students?

"Learning Disabilities and the Writing Center"

This article, by Julie Neff, offers some concrete, specific examples about how to work with students who have learning disabilities. However, we don't know which students have them. I suppose when a student feels especially stuck, or can't seem to create ideas on her own, or struggles to organize her thoughts in some logical pattern, she might benefit from these tutoring strategies whether or not she has a documented learning disability.

Also, I was glad Neff wrote about the above-average intelligence of many students with learning disabilities. I consider this common knowledge, but on p. 240, she talks about the lingering misconceptions that some educators have about this population. No wonder people with learning disabilities often struggle with self-esteem issues!

It's odd: A person with diabetes would not likely be criticized for depending on medical insulin to stay alive. We don't make moral judgments on diabetics or urge them to "suck it up" or "pull themselves up by their bootstraps." Maybe learning disabilities are a little like diabetes: These students will probably do very well, but they may need additional support. Maybe the Writing Center is their educational insulin. (Yes, I know; I've completely exhausted this analogy.)

Neff's comments about unlocking the knowledge in student writers' minds intrigued me. To some extent, we all have to learn how we each learn best. Sometimes we do this unconsciously. For example, I realize that if I really want to absorb and synthesize new knowledge, I need some very concrete examples and I need to write about it. Passively listening just doesn't do it for me. Likewise, our students with learning disabilities need to find their own "key" so they can process information most effectively.

It seems that one implication of this (and the last) article is that we need to keep adapting our tutoring strategies to meet the needs of a complex and varied student population. Minimalist tutoring is a theoretical ideal, but certain students need more from us. How much is too much? That's a tough question, and I'm not sure I know the answer.

"Affirming Diversity"

This article, by Muriel Harris, addresses some of the ESL issues we've been talking about at the Writing Center. Some of us have long known that often, the tutors and ESL students may not have the same goals in mind. This isn't because ESL students are lazy (with a very few exceptions)--it's just that we may not have made the "rules" explicit.

The whole idea of collaborative learning, or learning through talking, is completely foreign to many of our ESL students. And when student writers expect us to become teachers, it's perilously easy to slide into that role. However, part of their educational experience here needs to be the way we learn, not just what we learn.

I've been thinking about something Diane Baumgartner said: Tutors don't need to have all the answers. We don't all have to be experts in linguistics and grammar. This is a good thing, since most of us are not. I agree with Diane that, once we accept that we don't have to be the authority, we can relax a little and enjoy the time we spend with our ESL students.

Finally, I was touched by some of the advice for tutors from the ESL students Harris surveyed: "Please try to understand problems faced by international students," "Be more patient," Try to enjoy getting to know different persons from different cultures," "Do not think of them as foreigners." Like us, ESL students just want to be accepted, respected, and liked. Like us, they don't want to be laughed at. On that very human level, we can all connect.

What do you think of this article? I know non-ESL tutors may feel uncomfortable working with ESL students. Can you explain why, or what we need to do to allay your fears? Could you be putting too much pressure on yourself?

"Intellectual Tug-of-War: Snapshots of Life in the Center"

Reading this article made me very uncomfortable. After all, it questions the foundation of our Writing Center work, the very skills and attitudes we're trying to convey to our tutors. But then I went back to the line on page 123: "Pratt reminds us that too often we teach with the goal of eliminating confusion, opposition, and discomfort when our goal should be to delve more deeply into these issues." Then I decided that my confusion and discomfort may be a positive step toward greater understanding.

Here, we push some of the practices Boquet questions: relatively minimalist tutoring, endless data collection, an exhortation to tutors not to openly criticize professors. In the process, are those of us in administration indoctrinating tutors into our institutional ideology? And most importantly, to our student tutors: Do you often feel torn between your roles as peers (equals) and as tutors (authorities)?

At the end of this article, Boquet strives for a positive note: "We can strive to produce better writers, better tutors, more humane working conditions for everyone involved (tutors and students alike)." I believe in this goal, but her tone sounded forced to me.

Frankly, this article gives me a lot of food for thought, and I'm not sure how to respond right now. I've been doing Writing Center work for eight or nine years. We do struggle with any number of challenges, including our allegiances, political leanings, "cultural determinations." But for all that, I still believe that helping students find their voice is a worthy calling.

"Writing IS Thinking"

I can't remember which of you found this article, but I think it's a good one, even though it targets faculty writers. Author Kerry Ann Rockquemore emphasizes what Ann Russell often tells us: That early drafts can be sloppy, disorganized, discombobmulated and all the other "dis-es." How many of you feel you have to complete all your research and thinking before you commit anything to the page? And of those who do, how many of you feel paralyzed to start?

Maybe those early drafts are like late-night, free-wheeling conversations, at the tail end of parties, that dart all over the place, unstructured and possibly incoherent but incredibly fertile and alternately hilarious and profound. Don't you wish you had some of those conversations down on the page? (Well...maybe not. They could be blackmail fodder for future generations.)

Besides being tutors and, in some cases, teachers, we're all writers, whether we're writing for class, for publication, for art, or for fun. And we all get stuck because we're not used to "thinking aloud" on the page.

Do any of you write a half hour to an hour a day? Does anyone want to take on the challenge (30 to 60 minutes daily, Monday through Friday)? We might feel we don't have time, but surely we could use the half-hour we typically spend watching Modern Family or half of Glee and put fingers to keyboard. Maybe we could try this for two weeks and figure out a few prizes for those who stick with it. Perhaps we'll come up with something we could submit to MU Voices.

What do you think?